dreadedcandiru2: (Default)
The interesting thing about watching Elly make huffy comments about the scandalous outfits girls like Martha and April want to leave the house in is that she fails to learn the lesson she should from every time John tells Liz point blank "You aren't leaving the house dressed like that, young lady!!" when she wants to head out wearing the sort of abbreviated outfits that he approves of on girls he's not related to. I've told you why he's averse to remembering or considering the fact that the girls he undresses don't appreciate the favour but instead of talking about his not wanting to feel like the shameful lout he is, I'd like to talk about the blind-eyed moron she is.

This is because she talks about dangerous outfits and lacking the body and the language and simpers about boys who magically found reasons to break dates with her leaving her lost and sad and alone and heartsick and feeling as if she were never going to be married and blames all the wrong people. She blames the popular girls who didn't actually want her to die alone. She blames the mother who always lacked faith in her because she didn't praise her for every little thing she ever did. She blamed evil conflict-causing men for designing clothes that flattered everyone but her. She did not blame the one person who deserved it: Jim Richards, Over-Protective Father.

Y'see, like a lot of English Canadians, Jim had a severe authoritarian streak to his personality. People like him are why French on cereal boxes used to be seen as a Papist plot to undermine the British Empire. People like him went berserk with glee when Trudeau The Elder declared martial law during the October Crisis. Greg is a people like him and moved from his home because his little girl was dating a CREATURE OF DARKNESS and not some boring non-entity who rebelled in unison with other drones who made tame noise about sticking it to the Man because the Man wanted to sell them AC/DC LPs. This means that it's damned obvious to me that anyone with the bad luck to trigger the right-wing loon father Elly idolizes was taken aside and threatened with mayhem if he didn't step off. John passed the test by being even more boring, bland and conventional than Jim himself was. Elly knows nothing of this and never will because she doesn't understand male behaviour and never shall.
dreadedcandiru2: (Default)
The interesting thing is that we're about two weeks away from yet another reminder that much like Mike himself, Elly can never allow herself to see Martha as a person. Mike looks at the young girl with the freckles and sees a fantasy that varies from the rustic to the pornographic. Elly looks at her and sees any number of things. She sees an object lesson about how children really don't know what love is. She sees the inevitability of having to console her son when puppy love goes sour. She sees a reminder of the pretty girls who somehow magically stole all the boys by doing odd things like 'speaking to them instead of looking at them passively while wearing an expression that suggests gastrointestinal distress instead of romantic interest', 'not shrieking in offence over every little thing', 'cluing in and realizing that Chinnuts put the run on anyone with the most tepid interest in her' and 'not chasing after people who are already spoken for'. She sees someone eager to allow herself to engage in premarital sex because 'everyone' knows that everyone is having more fun than her. What she doesn't and can't and won't see is a young girl being jerked around by the worst boyfriend ever who's finally starting to question having to waste her life on a moron who doesn't seem to see her as real.

This is why Lynn can never bring herself to allow Martha and her family to meet the Pattersons. It's one thing for Mike to scratch his empty head and wonder why a great gal like her came from a family that's pretty much identical to his own. It would be quite another for people to put Elly on the spot and ask her what the Hell she has against Martha in the first place and why she can never, ever allow herself to get to know her. The danger that I see is that Martha appears to be the same threat Gordon and Ted represent: the danger of getting Mike to finally realize that Elly hasn't got two clues to rub together so shouldn't really be taken seriously no matter how hard she hits. Allowing himself to be the author she didn't have the stamina or brains to be is a pathetic waste of his time so should have been rejected so girls who'd point that out stand as a symbol of something else: getting a vain twit to realize that she's just a wanna-be.
dreadedcandiru2: (Default)
The interesting thing about the whole deal with Martha is that as far as I can remember, Elly has never once encountered the girl's family and thus has no real idea how they see things. She has no idea that Martha has an older brother who's still glad that at least his kid sister didn't marry that tool who churns out abuse porn. She doesn't realize that her parents still think that Mike was a jerk and creep she'd be better off without because she was going too fast.

This is because I don't think that she wants to know anything about this girl that isn't "she's a threat to what I want for Mike and thus must be plotting my destruction" because the alternative is super-scary: realizing that she's seen as the parent of the bad kid who wants bad things to happen. She can handle thinking of him as bad when he doesn't eat his greens but she can't tolerate someone else seeing him as a threat.
dreadedcandiru2: (Snarky Candiru2)
About ten or so years from now, Elly uses April as a go-between to passive-aggressive John into buying her a new ride because her old beater finally gives up the ghost. While she trades up to a sports utility vehicle and John a sportier version of a station wagon, he'd floated an idea that irritated the Hell out of Elly worse than simply buying a new sports car while leaving her with said old heap: getting three cars. His idea was to get her the Mormon Assault Vehicle, himself a station wagon for hauling stuff and a sports car for when he wanted to have a bit of fun. This was a non-starter because all she saw was two adults, three cars and an open temptation for the Martian to do something stupid.

The reason that I mention this is that this is the solution to the artificial dilemma willed upon us by Lynn's having trouble dealing with great big numbers. While the Lynn of 1987 knew that she made more than Rod, she didn't know how much more so she had no idea what they could both afford; this meant that her inability to quite cope with large figures means that a stupid compromise is made in which John is stuck with a some-weather car and the certainty of conflict with Elly.
dreadedcandiru2: (Snarky Candiru2)
About the only good thing about a more realistic wedding arc in which Elly's improvidence and refusal to see obvious complications from her viewpoint is that the predictable (by everyone but her) mess would feed directly into her confirmation bias. Just as she'd eventually go on to misinterpret what someone who actually knew what he was talking about when describing how her total fucking ineptitude with The Machine as meaning computers were malfunctioning junk because it can't be that she's a moron who doesn't know what she's doing, the chaos her brainlessness would necessarily have created would mean that she's right to see her husband as being stupid and her children as trying to destroy her.

This is because, of course, she doesn't especially want to see herself as the author of her own misfortune. It won't be that her fear of taking her children to airports that expose her to terrible people who call her a negligent dumbass or her default refusal to understand that other cars will be on the highway that cause the delay that exasperates other people, it'll be on John for willing traffic into existence, the kids for worshiping chaos and Georgia for kowtowing to someone who isn't actually getting married. Similarly, it won't be her blank-witted inability to understand how weddings work that cause people to call her a moron who flips the bird to social norms out of pea-brained immaturity and narcissism, it'll be on the mothers of the world who want to punish their daughters for wanting to be people in their own right.

This leads us to a reminder that it's a good thing Jim's ill health took her mind off of the angry whispers from people who looked at her funny for not planning Liz's wedding like she was supposed to. Did she WANT to go through life as an anonymous drone who didn't see herself as being part of her children's lives and did she not want anything in return for her sacrifice? What the Hell is wrong with this woman and why are they supposed to deal with her being a malfunctioning idiot?
dreadedcandiru2: (Snarky Candiru2)
The reason that I mentioned Clark Griswold yesterday is for a very good reason; emulating him would have made for a less irritating and baffling series of strips for the summer of 1987. Instead of having Mike turn into the Monster Of The Week from Law and Order: Special Victims Unit and instead of having John fish through a dumpster like the dumbest raccoon ever, we could have watched Elly make a mess of things by insisting on driving up to Phil and Georgia's wedding.

In this new scenario, we could establish the fact that Georgia simply HAD to have the wedding in her home town of Montréal and we could have Elly insist on avoiding all the fuss of flying by simply driving there. The same person who would go on to drag the kids to the damned farm over the holidays to make them love John's side of the family would see no downside to doing that and every sort of upside of avoiding taking them on a plane that would somehow be bad because she's too stupid to be able to fly with children. What we would then have is a husband who makes irritating chatter about traffic, a brother and sister-in-law who annoy her with their pointless blathering about the rehearsal she did perfectly well without and confused children who don't know what's going on because Elly blew off something necessary because she's too God-damned otherworldly to have figured out how weddings actually work.

The end result is that it's somehow going to be magically John's fault that there's road construction because otherwise, it's Elly's improvidence and fear of airports that delayed them, Georgia's insistence on making someone who isn't even getting married her boss the reason for all the craziness and tension and the children's stupidity and need to humiliate her that makes a bored, tired and cranky Elizabeth stand around crying when she doesn't know what to do or where to go. She has to blame them because it cannot be her fault....until Jim comes along and tells her it is.

The problem with basing the strip on what probably actually happened in Lynn's real life is, sadly, rather obvious: all the confusion, panic, animosity and ill-feelings would have an unapproved source. That's because the people telling Elly that she was doing something stupid for a silly reason would be proven right and she'd have to live with the knowledge that she isn't all that much smarter than John is.
dreadedcandiru2: (Snarky Candiru2)
The interesting thing about the Middle Years is having to remember exactly why it is that Mike is thought of as having a bad attitude that isn't simply his not wanting to get away from a house he's starting to regard as a maximum security prison run by a cruel warden who spends her days thinking up new ways to torment the children she only had in the first place to have people to be mean to because she's incapable of kindness and happiness. While I like to dream about what would have happened if he realized that there was a whiny infant weeping about how awful she felt about having to make decisions and be the heavy inside the implacable loudmouth, the fact is that he never learns about her and he never learns what he did to piss his mother off.

This is something of a shame because it keeps him from figuring out how to avoid getting himself into trouble. While he does know that for some reason, his mother overreacts horribly to his not immediately and cravenly agreeing to do her bidding, what he doesn't get is that when she's got a stupid idea that hurts her in her head, she'd rather die than dislodge it and be happy because of her need to be taken seriously. This is why his cruel, hateful and hurtful comments about how her baffling habit of acting as if her life is all used up and gone at the horrible age of forty is as absurd and self-destructive as her belief that she's somehow morbidly obese and thus unworthy of love and fellowship are not taken well. Elly has no real interest in being reassured because she wants her crazy self-destructive delusions taken with as much pointless seriousness as she takes them. Admitting that she's still young, presentable and slim means that she's wasted her life feeling sorry for herself over lies and that would make her a fool who isn't worth being taken seriously and that's bad. Eventually, though, he learns to shut up and agree with whatever mush she speaks because he knows it ain't worth it to make her see the truth because she's always going to prefer a melodramatic lie that confirms her self-hatred than the truth.
dreadedcandiru2: (Snarky Candiru2)
As we know, one of the interesting side effects of Connie's temporary departure from the strip is that no one is nagging Elly to get off of her rump and exercise any longer. It'll take another two years before we see strips that feature Elly wheezing for breath because she has to run the impossible distance of TWO HUNDRED YARDS!!! or me wanting to haul off and punch Mike's head clean off for mocking her. What's even more interesting is who Elly blames for her letting herself get "fat" and unmotivated: Connie. It's not her own fault for not having the stamina to get out there and get fit, it's Connie's for not nagging her.

The reason that I mention this is that the reason Mike gives for putting things off to the last minute that isn't his copying Elly's own reluctance to do and thus delaying doing things that she herself hates is that Elly didn't come in to the room and nag him about things like she's supposed to. The interesting thing about that is that, as you could probably guess and as I have mentioned before, is that Elly doesn't really want to see how much she has in common with her son when that common factor is a bad habit. You see, admitting that he learned to procrastinate, be a disorganized mess and beg the question via a fall guy from her means that not only does she have to worry about following the bad example she thinks she set as a child, she has to worry about his following the bad example she actually does set in the here and now.
dreadedcandiru2: (Snarky Candiru2)
The very odd thing about the notes about how simply awful it is that John tried to 'poison' the children by exposing them to the 'luxury' item that is a TV dinner is that Lynn calls it a luxury in the first instance. Granted, I do know what she means. As a fellow English Canadian of lower class origins, I can read that and think of her thinking of some big-shot having a fancy-dancy-prancy television dinner instead of regular food like normal people despite knowing that what we're both contemplating is cheap-ass prepared food like Kraft Dinner or Hamburger Helper or any number of convenience foods whose chief virtue is that they don't cost a Hell of a lot.

Part of her antipathy to this sort of food is hinted at when she has a child ask for junk food or sugar cereal instead of a brand name. The same woman who eats a normal hamburger and talks about how she can't find the right kind of sawdust to make the ones she makes like it owing to her not even being able to conceive of the fact that Mother made them all wrong in the first place thinks of fast food and Frooty Bonkers as horrible non-foods imposed on her by bad people who don't want her to show her children her love or express her creativity by cooking casseroles that sit in their stomachs like lead weights thereby preventing play or making cereals that go down like a bowl of wood shavings and come out like a blazing ball of hot, wet thumbtacks the very perfect breakfast.

What makes this far more annoying is that she can cook crap that's a lot damn worse than anything on tap at Golden Corral or any of those other sterile, depressing places where arteriosclerosis is king and think that she's prepared a healthy meal because her hands make greaseburgers and tuna cardiac-arrest casseroles not fatty messes. This inability to see that just because she makes stuff by hand doesn't make it healthy and good once collided with her inability to see that her elderly father simply could not eat the foods he was used to eating if he wanted to live. This is why I think that Elly straight-up murdered Chinnuts with her lovely cooking. She'll deny it forever (or until she pitches forward dead into her plate of Cheapie Weenie Casserole) but she did kill him with kindness.
dreadedcandiru2: (Snarky Candiru2)
As I type this, I do so in the knowledge that it has been nineteen years since the oh-so-preventable death of Farley the dog. It has also been damned near seven years since Deanna added this horrifying little passage to her first post-Housnening retcon:

We've also got safety latches on the workshop and the garage, and we made very sure that the gate in the back fence is secure - we don't have a "Farley" around to rescue Robin or Merrie from the ravine.

What this means is that despite the obvious need to finally do the right thing and take child-proofing seriously, moron Elly continued to let something important slide out of what looked like sheer brainless laziness and the stupid belief that exposing her child to the lethal consequences of her parents' stupidity would teach her better than childproofing ever could. While those are good and valid reasons for Elly being a smug, inept bonehead, her brainlessness doesn't stop there. The reason I think that there's a third reason comes to us from one of those stupid podcasts Lynn has on her website. In it, she stated in all seriousness that Farley HAD to get loose and impregnate Sera because any new dog the Pattersons might end up owning must have a connection to Farley because if they just picked up a stray from Animal Control, their last connection to Thelma Baird would be gone. This is nuts because by the time April damned near got killed, Thelma Baird was long dead and all but forgotten by most of the readers and most of the cast. This tells me that one of the first things Elly commented on when she encountered a gate that prevented any old idiot from coming in and smashing up model trains or children from rushing out into traffic was how unwelcoming that looked. After all, did Deanna stop to think about how poor old Mrs Baird had arthritis and would have trouble letting herself in?

That's right. I went there and I brought stuff back. The real reason why Elly never saw fit to really latch the gate is that she's so stupid, she wanted to be a good host to a friend years after the woman's relatives made that final decision "casket or urn." The disturbing end result is that poor April got into all sorts of trouble she shouldn't have gotten into because of the sheer witless inertia of her brainless failure of a mother.

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