dreadedcandiru2: (Default)
I probably posted this before, but bear with me. Likke I say in such occasions, it bears repeating.
April's signature character defect, aside of course from her appalling ignorance, is her dread of change. Let's start with her feud with Becky, shall we. The Beckster was wonderful company back when they were little kids, as I recall. Maybe a little brattier than Aypo, but not in any sort of conciously nasty way. What the hell happened to drive a wadge between them? Puberty. Becky grew up AND out while April just grew in the one direction and Miss Patterson's former Friend For Life became her archenemy. The reason is as simple as paper: April could handle beiong a wallflower as long as she had the Beckmeister for company. The fact that how other people reacted to the two of them changed was cause enough to hate her rival and believe the worst about her. Not only did she have a hate-on for Goldilocks for not being homely with her, Becky decided she'd grown tired of 4-Evah, the Garage Band of Utlimate Doom, and struck out on her own. April sort of chose the name because that's pretty much how long she thinks things are supposed to last. Our Miss Maguire's casual reminder of the impermanance of things and institutions did nothing to endear herself to the girl who yearns to stiff-arm Father Time. The child-like way she dresses is another symptom of her manic need to freeze things in place. Even her objection to the Housening is rooted in her warped desire for stasis. Notice that her original complaint wasn't about being uprooted because she precieved herself to be an afterthought; the fact that something changed in her despite was the cause for her 24/7 gloom. I can say this with some confidence because she's not complaining about things not because she's being frozen out of the discussion, which is what's exercising us. She does seem to feel that her parents might not care for her as much as she deserves, but their apathy isn't rally what's bothering her. The reason she thinks they don't care about her opinion is that they don't care if things don't go back to the way they were. She isn't so much spoiled as she is terrified of anything new, The cause for any deep-seated phobia is a stressful occasion from the person's childhood. We all remember how close she came to drowning twelve years ago as well as the resultant death of Farley the dog. That terrifying fifteen minutes is the greatest trauma she's experience so far in her young life and the result was a radical change in her surroundings. Her conclusion? Change is ICKY! Ideas formed during times of extreme stress, especially in a young mind, are next to impossible to refute so she's always going to regard any change as a horrible thing. It goes a long way to understanding where she's coming from. It just isn't anything like an excuse for the crap she's pulling right now.
dreadedcandiru2: (Lady Candiru)
It might seem at first glance that Elly's dad would be the revered patriarch of the Land of Foob, and keeper of all its wisdom. This, however, is not the case. He is regarded as a sweet but misguided old man, filling April's head with silly notions. I mean, in LJ's eyes he was probably one step away from senility before his recent stroke robbed him of his voice. Why else he spout such loony fantasies as a fulfilling life without accumulating junk or crapping out children with doormat. Those were the noble and good principles he raised Elly with. Fortunately, the Foob god has robbed him of his voice, and with it the power to mislead the youth with his facts, just as it struck down Lizardbreath the Ever-Virginal's would-be mentor Miss Edwards for her unFoobiness. It also puts paid for his hateful lack of faith in Holy Mother Eleanor herself. He knavishly paid for a college education with the incomprehensible belief that she would get a DEGREE instead of a husband!! That way lies the defeminizing horror of the working world. Fortunately, he has the lesser consolation of care by Iris the Well-intentioned Diingbat.

This attempt of hers to edit history by having her late father's fictional equivalent hang around addresses two main issues. The first problem with having your elderly father around is that he may have begun to doubt the values he raised you with, which is especially horrifying to Damaged-Goods Lynn. The Depression era worship of material possessions and traditional values is all this tragicomic figure has to cling to, especially since when Drunk-ass Mommy was lighting into her, she threatened Lynnie that she'd have neither. (Racist threats of having to 'settle' for her 'inferiors' probably also explain her dread of the Other, also.) She's stayed put ideologically to prove to Mater and Pater she is a good little girl despite everything. As time passed on, a lot of people of his era might have re-evaluated their position based on new evidence. The second is that he could establish himself (and had so done) as a competing authority in the household. He might go so far as to say 'Elly, you're my daughter and I love you, but let's face it: you're full of crap about this Rebecca girl. In fact, you're full of it about a lot of people.'

Profile

dreadedcandiru2: (Default)
dreadedcandiru2

June 2022

S M T W T F S
   123 4
567891011
12131415161718
19202122232425
2627282930  

Syndicate

RSS Atom

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags
Page generated Jul. 8th, 2025 12:18 pm
Powered by Dreamwidth Studios